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Accepted papers

Main Track

TitleAuthors
A Review of Game Design Techniques for Evoking and Managing CuriosityZhu, Ying (Georgia State University)
Voices, Speech and Sounds – Soundtracks and aesthetic composition in podcastsCarrasco, Lucas Linardi (UNICAMP); Manica, Daniela Tonelli (UNICAMP); Oliveira, Gabriel Marçal (UNICAMP)
Towards Sustainable Future: Art and Science – An Interactive DuoPozdnyakova, Yelena (Free University Berlin); Tagiyev, Eldar (UDK Berlin)
MappEMG: Enhancing Music Pedagogy by Mapping Electromyography to Multimodal FeedbackPiao, Ziyue (McGill University); Wanderley, Marcelo M. (McGill University); Verdugo, Felipe (Université de Montreal)
Soundscape to Music: Experiences in an Additive Manufacturing Open LabFontolan, Laureana Stelmastchuk Benassi (CTI Renato Archer)
Enhancing Geoscience Communication: Building Virtual Reality Field Trips with the Outcrop Digital Model at Varvito Geological Park (Itu, SP)de Castro, Douglas Bazo (Universidade Estadual de Campinas); Picanço, Jefferson de Lima (State University of Campinas); da Mota, Gabriel Santos (University of São Paulo); de Sena, Ítalo Sousa (School of Architecture, Planning and Environmental Policy)
Designing a Time Travel Layout to Visualize and Support Collaboration in ScienceAzevedo, Bruno (Centro ALGORITMI, engageLab – Universidade do Minho); Cunha, Francisco (University of Minho); Branco, Pedro (University of Minho, Dep. of Information Systems (DSI))
Describing and Comparing Co-located Interaction in Interactive Art Using a Relational ModelXu, Dan (Leiden University); Lamers, Maarten H. (Leiden Institute of Advanced Computer Science, Leiden University); Van der Heide, Edwin Frank (Leiden University)
Point Based Stylization – An Interactive Rendering Approach for Non-Uniform Artistic RepresentationLee, Yun-Chen (National Yang Ming Chiao Tung University); Hou, June-Hao (National Yang Ming Chiao Tung University)
Glitch Art Generation and Performance using Musical Live CodingAmano, Noriki (Mukogawa Women’s University)
Animated pedagogical agents performing affective gestures extracted from the GEMEP Dataset: can people recognize their emotions?Adamo-Villani, Nicoletta (Purdue University)
Presenting the testimonial in multimedia documentariesFeinstein, Kenneth (Sunway University)
Psychological Evaluation of Media Art Focusing on MovementKazawa, Go (Kyoto University)
Marker-Based and Area-Target-Based User Tracking for Virtual Reconstruction of Cultural Heritage in Mixed RealitySchauer, Sophie (HTW Berlin); Sieck, JĂĽrgen (HTW Berlin)
The potential of holographic avatars in the hybrid workplace: an industrial/organizational psychology perspectiveVillani, Nicholas (Harvard University)
I’ve Gut Something to Tell You: A Speculative Biofeedback Wearable Art Installation on the Gut-Brain ConnectionSommer, Line Krogh (Aalborg University); Lauritzen, Johanna (Aalborg University); Spork, Alberte (Aalborg University); Biller, Louise (Aalborg University); Jensen, Mathilde Merete (Aalborg University); Bemman, Brian (Aalborg University)
A study about the relationship between music and sound effects in the audiovisual mediaYglesias, Vinicius ([email protected]); Aguilar, Igor Abdo (Unicamp); Fornari, Jose (NICS/Unicamp)
Hearing sounds through different ears: a video game case studyGonzaga, Gabriel Dargains (Federal University of the State of Rio de Janeiro (UNIRIO))
Singing CodeMaric, Jasmina (Chalmers / CSE / Interaction Design); Murali Rani, Lekshmi (Chalmers/ CSE / Software Engineering)

Late Track

TitleAuthors
A Historical Perspective of the Biofeedback Art: Pioneering Artists and ContributionsOliveira, Hosana Celeste (Universidade Federal do Pará)
Aesthetics, engagement, and narration. A taxonomy of Temporal constraints for ludo-narrative designParra, Cristian (Universidad de Playa Ancha)
Enhancing Scientific Communication Through Information Visualization: A Proposal for a Multimodal PlatformPereira, Mariana (University of Minho); SĂ­lvia, AraĂşjo (University of Minho); Azevedo, Bruno (Centro ALGORITMI, engageLab – Universidade do Minho)
Exploring Disruptive Body-Machine-Image: A Critique of Medical-Scientific Discourse through ArtMologni, João (University of Campinas); Oliveira Rovati, Ana (University of Campinas); de Melo Filho, Cláudio (University of Campinas); Baio, Cesar (University of Campinas)
Fragments of Fungi: Eliciting Dialogue Through a Virtual ExperiencePedersen, Astrid (Aalborg University, Copenhagen); Jørgensen, Morten (Aalborg University, Copenhagen); Mc Nair, Clara (Aalborg University, Copenhagen); Evangelista, Sebastian (Aalborg University, Copenhagen); Timcenko, Olga (Aalborg University, Copenhagen); Nordahl, Rolf (Aalborg University, Copenhagen)
Soundscape to Music: Experiences in an Additive Manufacturing Open LabFontolan, Laureana Stelmastchuk Benassi (CTI Renato Archer)
Touching the Untouchable: Playing the Virtual Glass HarmonicaPedersen, Astrid (Aalborg University, Copenhagen); Jørgensen, Morten (Aalborg University, Copenhagen); Serafin, Stefania (Aalborg University)

Poster Track

TitleAuthors
Dedicated and Low Cost Electronic Wind Instruments for People with COPD: Prototype DevelopmentSiqueira Gouvea Acosta Goncalves, Camila (PUCPR UFRJ); Silva de Oliveira, Rafael (UTFPR); Tsunoda, Audrey Tieko (PUCPR); Nohama, Percy (UTFPR PUCPR)

Special Tracks

TrackTitleAuthors
Special Track on Affective and Emphatic Physical and/or Digital Experiences to Human BodyMusic and Bondness: From the evolutionary origins of music to hyperscanning experimentsRoque, Thiago (University of Colorado Boulder)
Special Track on Amplifying CreativityPreliminary Findings from BehCreative: Exploring the Potential of Extended Digital Music Instruments for Music Therapy and RehabilitationPartesotti, Elena (Unicamp); castellano, Gabriela (Gleb Wataghin Institute of Physics, University of Campinas, Campinas, Brazil); Manzolli, JĂ´natas (Unicamp University)
Special Track on Amplifying CreativityConstruction of Immersive Art Space Using Mirror Display and Its Evaluation by Psychological ExperimentNakatsu, Ryohei (Kyoto University); Tosa, Naoko (Kyoto University); Pang, Yunian (Kyoto University); Niiyama, Satoshi (AGC Inc.); Munaka, Tatsuya (Shimadzu Corporation); Ueda, Yoshiyuki (Kyoto University); Furuta, Masafumi (Shimadzu Corporation); Nomura, Michio (Kyoto University); Uraoka, Yasuyuki (Shimadzu Corporation); Kitagawa, Akane (Shimadzu Corporation); Murata, Koichi (Shimadzu Corporation)
Special Track on Amplifying CreativityThe Expanded Scene: Crossings between Theater, Cinema, and Video – Multiple Concepts and PoeticsCarrera, Julia (UFRJ/ UNIRIO)
Special Track on Computational Art and the Creative ProcessBridging Computational Art and Climate Change: An analysis of a mobile application for raising awareness about climate change through artMammoli, Felipe (CTI – Renato Archer)
Special Track on Computational Art and the Creative ProcessArt as an expanded field: the case of the r/place social experimentBotelho, Marcela Jatene Cavalcante (Universidade Federal do Pará); Oliveira, Hosana Celeste (Universidade Federal do Pará)
Special Track on Computational Art and the Creative ProcessUsing Generative Models to Create a Visual Description of Climate ChangeSantana Dias, Felipe (University of Campinas); Moroni, Artemis (Renato Archer – University of Campinas); Pedrini, Helio (Institute of Computing, University of Campinas)
Special Track on Computational Art and the Creative ProcessPreliminary Study of the Artistic Potential of Video GamesFalleiros, Manuel (NICS – UNICAMP); Passos, Leonardo Porto (Interdisciplinary Nucleus of Sound Communication – NICS); Peron, DĂ©bora Mattos (Program in Visual Arts (PPGAV), Arts Institute (IA), State University of Campinas (Unicamp))
Special Track on Computational Art and the Creative ProcessDignitas in the MetaverseBartlett, Dr Savithri (Royal College of Art); Roeck, Sebastian (Royal College of Art); Chester, Sam (Royal College of Art); Delamore, Philip (Royal College of Art); Broach, Zowie (Royal College of Art)
Special Track on Computational Art and the Creative ProcessThe cyborg myth as a way of understanding music mediated by technologiesde Oliveira, Victor Afonso Wanderley (UNICAMP)
Special Track on Computational Art and the Creative ProcessGuitar Improvisation Preparation and Practice: A Digital-Assisted Approach Integrating Set Theory and Mechanical Gesture ExplorationSalcedo, LeĂłn Fabio (Universidade de Aveiro – INET MD – Universidad de Cundinamarca); Zuniga-Zabala, Maria F. (BTactile.com); Guerra-Gomez, John A. (Northeastern University)
Special Track on Exploring new frontiers in Music TherapyExploring the Theoretical Landscape of BehCreative: Artistic and Therapeutic Possibilities of an Extended Digital Musical InstrumentPartesotti, Elena (Unicamp); castellano, Gabriela (Gleb Wataghin Institute of Physics, University of Campinas, Campinas, Brazil); Manzolli, JĂ´natas (Unicamp University)
Special Track on Exploring new frontiers in Music TherapyAdapting the Emobook Life Story Book App for Reminiscence Focused Music Therapy in Dementia Care: An Interdisciplinary Participatory Design ApproachGerbaudo-Gonzalez, Noelia (Departamento de PsicoloxĂ­a Evolutiva, Universidade de Santiago de Compostela); Catala, Alejandro (Centro Singular de InvestigaciĂłn en TecnoloxĂ­as Intelixentes (CiTIUS), Universidade de Santia-go de Compostela); Condori-Fernandez, Nelly (Departamento de ElectrĂłnica e ComputaciĂłn, Universidade de Santiago de Compostela); Gandoy-Crego, Manuel (Departamento de PsiquiatrĂ­a, RadioloxĂ­a, SaĂşde PĂşblica, EnfermarĂ­a e Medicina, Universidade de Santiago de Compostela)
Special Track on Exploring new frontiers in Music TherapyA systematic review of the technology available for data collection and assessment in music therapyAmorós Sánchez, Beatriz (Universidad Internacional de la Rioja); Gamella González, David J. (Universidad Internacional de la Rioja); Cisneros Álvarez, Pablo (Universidad Internacional de la Rioja); Gisbert Caudeli, Vicenta (Universidad Autónoma de Madrid)
Special Track on Expression in Human-Robot InteractionExploring Human-Robot Interaction in Creating Pleasing Choreographies: A Study with the NAO RobotGodoi, Diogo (Universidade de São Paulo); Romero, Roseli (Universidade de São Paulo); Beraldo, Germano (Centro de Tecnologia da Informação Renato Archer); Moroni, Artemis (Centro de Tecnologia da Informação Renato Archer)
Special Track on Expression in Human-Robot InteractionExploring Perception and Preference in Public Human-Agent Interaction: Virtual Human vs. Social RobotPurps, Christian Felix (Karlsruhe University of Applied Sciences); Hettmann, Wladimir (Karlsruhe University of Applied Sciences); Zylowski, Thorsten (Karlsruhe University of Applied Sciences); Sautchuk-Patrício, Nathalia (Karlsruhe University of Applied Sciences); Hepperle, Daniel (Karlsruhe University of Applied Sciences); Wölfel, Matthias (Karlsruhe University of Applied Sciences)
Special track on Musical Meanings in Ubimus/ Significados Musicais em UbimusExploring Musical Textures By Computational Creativity and Visual Art Interactivity: The Pendulum’s Sway on Overlapping SoundsSimurra, Ivan (Universidade Federal do Acre); Keller, Damián (NAP, Federal University of Acre); Celio, Marcos (Universidade Federal da Paraiba); Messina, Marcello (Southern Federal University)
Special track on Musical Meanings in Ubimus/ Significados Musicais em UbimusContribuições da música para a acessibilidade: usos e recursos da música ubíqua, tecnologias e musicoterapia.Alcântara-Silva, Tereza Raquel (Escola de Música e Artes Cênicas, Universidade Federal de Goiás, Brasil); Keller, Damián (Núcleo Amazônico de Pesquisa Musical, Universidade Federal do Acre, Universidade Federal da Paraíba, Brasil.); Rocha do Nascimento, Sandra (Escola de Música e Artes Cênicas, Universidade Federal de Goiás, Brasil); Marques Cardoso, Tânya (Escola de Música e Artes Cênicas, Universidade Federal de Goiás, Brasil)
Special Track on Network Dance & TechnologySound Body as Embodied Poetic interactionGatti, Daniela (Corporal arts Department – Arts Institute, Unicamp University, Brazil)
Special Track on Network Dance & TechnologyDance And New Technologies: Different Interdisciplinary Approaches In Teaching And PracticeFaustino, Isadora (Unicamp/Departamento de Artes Corporais); Gatti, Daniela (Corporal arts Department – Arts Institute, Unicamp University, Brazil)
Special Track on Network Dance & TechnologyImmersive dramaturgy. Aesthetic dance experiences embodied through virtual realitySantana, Ivani (UFRJ)
Special Track on Network Dance & TechnologyDance and Technology: different readings of the technologically mediated bodyAngeli, Diogo Theotonio (UNICAMP)