| Track | Title | Authors |
| Special Track on Affective and Emphatic Physical and/or Digital Experiences to Human Body | Music and Bondness: From the evolutionary origins of music to hyperscanning experiments | Roque, Thiago (University of Colorado Boulder) |
| Special Track on Amplifying Creativity | Preliminary Findings from BehCreative: Exploring the Potential of Extended Digital Music Instruments for Music Therapy and Rehabilitation | Partesotti, Elena (Unicamp); castellano, Gabriela (Gleb Wataghin Institute of Physics, University of Campinas, Campinas, Brazil); Manzolli, JĂ´natas (Unicamp University) |
| Special Track on Amplifying Creativity | Construction of Immersive Art Space Using Mirror Display and Its Evaluation by Psychological Experiment | Nakatsu, Ryohei (Kyoto University); Tosa, Naoko (Kyoto University); Pang, Yunian (Kyoto University); Niiyama, Satoshi (AGC Inc.); Munaka, Tatsuya (Shimadzu Corporation); Ueda, Yoshiyuki (Kyoto University); Furuta, Masafumi (Shimadzu Corporation); Nomura, Michio (Kyoto University); Uraoka, Yasuyuki (Shimadzu Corporation); Kitagawa, Akane (Shimadzu Corporation); Murata, Koichi (Shimadzu Corporation) |
| Special Track on Amplifying Creativity | The Expanded Scene: Crossings between Theater, Cinema, and Video – Multiple Concepts and Poetics | Carrera, Julia (UFRJ/ UNIRIO) |
| Special Track on Computational Art and the Creative Process | Bridging Computational Art and Climate Change: An analysis of a mobile application for raising awareness about climate change through art | Mammoli, Felipe (CTI – Renato Archer) |
| Special Track on Computational Art and the Creative Process | Art as an expanded field: the case of the r/place social experiment | Botelho, Marcela Jatene Cavalcante (Universidade Federal do Pará); Oliveira, Hosana Celeste (Universidade Federal do Pará) |
| Special Track on Computational Art and the Creative Process | Using Generative Models to Create a Visual Description of Climate Change | Santana Dias, Felipe (University of Campinas); Moroni, Artemis (Renato Archer – University of Campinas); Pedrini, Helio (Institute of Computing, University of Campinas) |
| Special Track on Computational Art and the Creative Process | Preliminary Study of the Artistic Potential of Video Games | Falleiros, Manuel (NICS – UNICAMP); Passos, Leonardo Porto (Interdisciplinary Nucleus of Sound Communication – NICS); Peron, DĂ©bora Mattos (Program in Visual Arts (PPGAV), Arts Institute (IA), State University of Campinas (Unicamp)) |
| Special Track on Computational Art and the Creative Process | Dignitas in the Metaverse | Bartlett, Dr Savithri (Royal College of Art); Roeck, Sebastian (Royal College of Art); Chester, Sam (Royal College of Art); Delamore, Philip (Royal College of Art); Broach, Zowie (Royal College of Art) |
| Special Track on Computational Art and the Creative Process | The cyborg myth as a way of understanding music mediated by technologies | de Oliveira, Victor Afonso Wanderley (UNICAMP) |
| Special Track on Computational Art and the Creative Process | Guitar Improvisation Preparation and Practice: A Digital-Assisted Approach Integrating Set Theory and Mechanical Gesture Exploration | Salcedo, LeĂłn Fabio (Universidade de Aveiro – INET MD – Universidad de Cundinamarca); Zuniga-Zabala, Maria F. (BTactile.com); Guerra-Gomez, John A. (Northeastern University) |
| Special Track on Exploring new frontiers in Music Therapy | Exploring the Theoretical Landscape of BehCreative: Artistic and Therapeutic Possibilities of an Extended Digital Musical Instrument | Partesotti, Elena (Unicamp); castellano, Gabriela (Gleb Wataghin Institute of Physics, University of Campinas, Campinas, Brazil); Manzolli, JĂ´natas (Unicamp University) |
| Special Track on Exploring new frontiers in Music Therapy | Adapting the Emobook Life Story Book App for Reminiscence Focused Music Therapy in Dementia Care: An Interdisciplinary Participatory Design Approach | Gerbaudo-Gonzalez, Noelia (Departamento de PsicoloxĂa Evolutiva, Universidade de Santiago de Compostela); Catala, Alejandro (Centro Singular de InvestigaciĂłn en TecnoloxĂas Intelixentes (CiTIUS), Universidade de Santia-go de Compostela); Condori-Fernandez, Nelly (Departamento de ElectrĂłnica e ComputaciĂłn, Universidade de Santiago de Compostela); Gandoy-Crego, Manuel (Departamento de PsiquiatrĂa, RadioloxĂa, SaĂşde PĂşblica, EnfermarĂa e Medicina, Universidade de Santiago de Compostela) |
| Special Track on Exploring new frontiers in Music Therapy | A systematic review of the technology available for data collection and assessment in music therapy | AmorĂłs Sánchez, Beatriz (Universidad Internacional de la Rioja); Gamella González, David J. (Universidad Internacional de la Rioja); Cisneros Ălvarez, Pablo (Universidad Internacional de la Rioja); Gisbert Caudeli, Vicenta (Universidad AutĂłnoma de Madrid) |
| Special Track on Expression in Human-Robot Interaction | Exploring Human-Robot Interaction in Creating Pleasing Choreographies: A Study with the NAO Robot | Godoi, Diogo (Universidade de São Paulo); Romero, Roseli (Universidade de São Paulo); Beraldo, Germano (Centro de Tecnologia da Informação Renato Archer); Moroni, Artemis (Centro de Tecnologia da Informação Renato Archer) |
| Special Track on Expression in Human-Robot Interaction | Exploring Perception and Preference in Public Human-Agent Interaction: Virtual Human vs. Social Robot | Purps, Christian Felix (Karlsruhe University of Applied Sciences); Hettmann, Wladimir (Karlsruhe University of Applied Sciences); Zylowski, Thorsten (Karlsruhe University of Applied Sciences); Sautchuk-PatrĂcio, Nathalia (Karlsruhe University of Applied Sciences); Hepperle, Daniel (Karlsruhe University of Applied Sciences); Wölfel, Matthias (Karlsruhe University of Applied Sciences) |
| Special track on Musical Meanings in Ubimus/ Significados Musicais em Ubimus | Exploring Musical Textures By Computational Creativity and Visual Art Interactivity: The Pendulum’s Sway on Overlapping Sounds | Simurra, Ivan (Universidade Federal do Acre); Keller, Damián (NAP, Federal University of Acre); Celio, Marcos (Universidade Federal da Paraiba); Messina, Marcello (Southern Federal University) |
| Special track on Musical Meanings in Ubimus/ Significados Musicais em Ubimus | Contribuições da mĂşsica para a acessibilidade: usos e recursos da mĂşsica ubĂqua, tecnologias e musicoterapia. | Alcântara-Silva, Tereza Raquel (Escola de MĂşsica e Artes CĂŞnicas, Universidade Federal de Goiás, Brasil); Keller, Damián (NĂşcleo AmazĂ´nico de Pesquisa Musical, Universidade Federal do Acre, Universidade Federal da ParaĂba, Brasil.); Rocha do Nascimento, Sandra (Escola de MĂşsica e Artes CĂŞnicas, Universidade Federal de Goiás, Brasil); Marques Cardoso, Tânya (Escola de MĂşsica e Artes CĂŞnicas, Universidade Federal de Goiás, Brasil) |
| Special Track on Network Dance & Technology | Sound Body as Embodied Poetic interaction | Gatti, Daniela (Corporal arts Department – Arts Institute, Unicamp University, Brazil) |
| Special Track on Network Dance & Technology | Dance And New Technologies: Different Interdisciplinary Approaches In Teaching And Practice | Faustino, Isadora (Unicamp/Departamento de Artes Corporais); Gatti, Daniela (Corporal arts Department – Arts Institute, Unicamp University, Brazil) |
| Special Track on Network Dance & Technology | Immersive dramaturgy. Aesthetic dance experiences embodied through virtual reality | Santana, Ivani (UFRJ) |
| Special Track on Network Dance & Technology | Dance and Technology: different readings of the technologically mediated body | Angeli, Diogo Theotonio (UNICAMP) |
